There are no deadlines for this residency program; artists may apply at any time on our website: outpostedit.org.
The Cuts & Burns Residency Program assists artists by eliminating the financial burden of high cost video post-production and custom programming, and provides them with professional video editors, sound engineers, and programmers who are passionate about contemporary art. Current commercial rates for an editing suite with an editor can cost over $1,000 per day. However, the Residency Program consists of 40 hours of free access to our studio with an editor. In addition to editing, we offer color correction, programming, DVD authoring, advanced graphics, sound mixes, multi-channel editing, and transfers between a variety of video formats.
Starting this past year we have also began assisting artists interested in building custom hardware and software. Artists who are working on interactive installations, experimenting with video projections, etc. are also encouraged to apply. We also offer lodging to residents if needed. Through Cuts and Burns, we have provided over a hundred residencies.
Deadline: Sunday 30th, December, 2012
 
Marc Interviews Penny Travlou and Irini interviews Karsten Schmidt & Daniel Hirschmann.
Every Wednesday – 7-8pm, Listen live: http://resonancefm.com
This week the tables are turned, and special guest Penny Travlou will be asking Marc Garrett questions about Furtherfield.
Penny Travlou is a cultural geographer and ethnographer and works as Lecturer and Research Fellow at the Edinburgh College of Art. Penny’s research is interdisciplinary with a special interest on the politics of public space, urban critical theory and digital ethnography. As a co-investigator at ELMCIP, Penny conducts an ethnographic study of networked creative communities. At the moment, Penny is doing her fieldwork on Furtherfield, spending time at the Furtherfield Gallery with the current crafters and residency artists (AOS) and setting up interviews with different crew members, crafters and visiting artists. Since ethnography is “a decoding operation”, Penny is learning the language, verbal and symbolic, of the Furtherfield community and, hopefully, to acquire an insider’s perspective.
Karsten Schmidt & Daniel Hirschmann, will be discussing their project ‘Technology Will Save Us’ with Irini Papdimitriou & Jonathan Munro. A haberdashery for technology and alternative education space dedicated to helping people to produce anth d not just consume technology. www.technologywillsaveus.org
Continue reading Furtherfield on Resonance FM – March 23th 2011
Marc Interviews Jake Harries and Irini & Jonathan will be interviewing Felicie d’Estienne d’Orve.
Every Wednesday – 7-8pm, Listen live: http://resonancefm.com
This critically acclaimed broadcast is every Wednesday evening at 7-8pm, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change; discussing events and controversies, exhibitions, artworks and their social contexts
Jake Harries has been making music in Sheffield since the 1980s and is a sound artist, musician/producer, composer and field recordist with a strong interest in media art and the practical use of Open Source audio-visual software. He was a member of electronic funk band Chakk which is best known for building Sheffield’s first large recording studio, FON Studios, in the mid 1980s. He is currently one of “freestyle techno” trio Heights of Abraham and The Apt Gets, a band which uses guitars and only Open Source software on recycled computers to create songs from spam emails. He is Digital Arts Programme Manager at open access media lab, Access Space, and the current curator of the LOSS (Linux Open Source Sound) a website dedicated to music made with FLOSS. http://audiotools.lowtech.org& http://www.access-space.org
Continue reading Furtherfield on Resonance FM – March 16th 2011
Ruth Interviews Simon Poulter and Irini & Jonathan will be interviewing Ellie Harrison.
Every Wednesday – 7-8pm, Listen live: http://resonancefm.com
This critically acclaimed broadcast is every Wednesday evening at 7-8pm, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change; discussing events and controversies, exhibitions, artworks and their social contexts.
Simon Poulter is a practising artist with a live folio of commissions and projects. Much of his work crosses over from exhibiting and creating projects as an individual as well as working with others. He has facilitated creative technology labs working with over 200 artists nationally and internationally through his work with PVA MediaLab (http://www.pva.org.uk). And has recently been working with architectural design teams. Was artist in residence at Metal (http://www.metalculture.com), in Southend – on – Sea, Essex, and continues to work with them and other artists working on socially contextual and technological projects. http://simonpoulter.co.uk
http://www.furtherfield.org/programmes/radio
 
Marc Interviews Stuart Bowditch and Irini & Jonathan will be interviewing Stanza.
Every Wednesday – 7-8pm, Listen live: http://resonancefm.com
Stanza, is a London based British artist who specializes in interactive art, networked spaces, installations and performances. Stanza’s artworks explore artistic and technical opportunities to enable new aesthetic perspectives, experiences and perceptions within context of architecture, data spaces and online environments, crossing borders between artistic, technological and scientific sectors.
His award winning online projects have been invited for exhibition in digital festivals around the world. Work has centered on the idea of the building as a new display system and various projects have been made using live data, the use of live data in architectural space, and how it can be made into meaningful representations. See ‘Publicity’, ‘Robotica’, ‘Sensity’, as well as a whole series of work manipulating real time CCTV data to making artworks with them: See, ‘Velocity’, ‘Authenticity’, ‘Urban Generation’. These works reform the data, work with the idea of bringing data from outside into the inside, and then present it back out again in open ended systems where the public is often engaged in or directly embedded in the artwork. http://www.stanza.co.uk
Continue reading Furtherfield on Resonance FM – March 2nd 2011
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